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[title] => Ένας αιώνας "Αγάπης"
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[title] => Ιωάννης Ζεμενός
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[summary] => Η Εταιρεία Συγγραφέων και οι εκδόσεις Αίολος σας παρουσιάζουν ένα βιβλίο, αποτέλεσμα της Α΄ Συνάντησης Φαντασιακής Λογοτεχνίας, όπου συζητήθηκε και σχολιάστηκε ο διάσημος (αλλά μάλλον άγνωστος) Έλληνας συγγραφέας Ιωάννης Ζεμενός.
Ο Ιωάννης-Ανδρέας Ζεμενός (1911-1970;) έδειξε από μικρός κλίση προς την περιπέτεια, τη θάλασσα και τα γράμματα και, έφηβος ακόμη, συνέθεσε τα πρώτα του ποιήματα. Μετά το Γυμνάσιο στον Βόλο, σπούδασε στη Σχολή Εμποροπλοιάρχων στη Θεσσαλονίκη και μπάρκαρε σε εμπορικά πλοία προς την Άπω Ανατολή. Έπεσε στα χέρια Σομαλών πειρατών, δραπέτευσε και κατόρθωσε να φτάσει στην Ελλάδα, όπου και εργάστηκε σε ναυτιλιακό πρακτορείο του Πειραιά. Κατά τη διάρκεια του κινήματος του Ναυτικού του 1944, συνελήφθη κατά λάθος και κλείστηκε σε στρατόπεδο συγκεντρώσεως στο Σουδάν. Με το πέρας του πολέμου, εγκαταστάθηκε για κάποια χρόνια στο Χαρτούμ, μέχρι το ξέσπασμα του απελευθερωτικού αγώνα εναντίον των Άγγλων. Το 1953 επέστρεψε στο πατρικό του στον Βόλο, όπου συνέγραψε το (ακόμη) ανέκδοτο μυθιστόρημα, "Η βροχή της προηγούμενης νύχτας". Στον Βόλο εργάστηκε σε εκτελωνιστικό γραφείο, παντρεύτηκε και απέκτησε μια κόρη. Σε ηλικία 53 ετών ξαναμπαρκάρει και από τότε αραιώνουν οι πληροφορίες για τον συγγραφέα. Αξιόπιστες μαρτυρίες τον φέρουν να ζει σε διάφορες πόλεις του εξωτερικού, αλλά τα ίχνη του χάνονται στις αρχές τις δεκαετίας του '70.
Άφησε σημαντικό ανέκδοτο έργο, για το οποίο γράφουν οι συγγραφείς: Τάκης Γραμμένος, Φ.Δ. Δρακονταειδής, Πάνος Θεοδωρίδης, Δημήτρης Καλοκύρης, Λίλα Κονομάρα, Αμάντα Μιχαλοπούλου, Μιχάλης Μοδινός, Γιώργος-Ίκαρος Μπαμπασάκης, Ηρώ Νικοπούλου, Παυλίνα Παμπούδη, Μάκης Πανώριος, Γιάννης Πατίλης, Ντίνος Σιώτης, Γιώργος Σκαμπαρδώνης και Γιώργος Χουλιάρας, ενώ παρεμβαίνουν η Κλαίτη Σωτηριάδου, η Λένα Κομίνη και ο Βαγγέλης Γερμανός.
To βιβλίο εικονογραφείται με σπάνιο φωτογραφικό υλικό και χειρόγραφα.
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[isbn] => 978-960-521-249-0
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[title] => Santorini Vine-rich island
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[title] => САНТОРИНИ виноградный остров
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[summary] => Η "Σαντορίνη, η αμπελόεσσα νήσος" δεν είναι ένα ακόμη εγχειρίδιο για το κρασί, γραμμένο από συστηματικούς ερευνητές για ειδικούς αναγνώστες. Στο λεύκωμα αυτό ο φωτογράφος Δημήτρης Ταλιάνης, με εφόδιο την αγάπη του για τη φύση και το αμπέλι, ξεκινά το μακρύ ταξίδι στους "δρόμους του κρασιού", προσπαθώντας να συνδυάσει το φως με τη στιγμή, την καλλιέργεια με την εποχή, την κίνηση του χεριού με τη φορά της αμπελιάς. Πολλά τα χρόνια και τα ταξίδια, πολλές και οι φωτογραφίες που συγκεντρώθηκαν από το πάστρεμα, το κλάδεμα, το θειάφισμα, τον τρύγο -κυρίως τον τρύγο- την οινοποίηση σε σπηλιές και υπόσκαφα, σε κάναβες και οινοποιεία.
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[seo_url] => σαντορινη,-η-αμπελοεσσα-νησος-388703
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[title] => Θεσσαλονίκη, διήγηση ενός αιώνα
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[summary] => Οι αθέατες πτυχές της ιστορίας, τα λησμονημένα γεγονότα, οι άγνωστες λεπτομέρειες, μέσα από μια αφήγηση συνεχή, με σύντομες, κοφτές ανάσες: "... είναι η μέγιστη προσφορά της λογοτεχνίας στη συνείδηση των πολιτών, όπου ο συγγραφέας παραμένει στη σκιά, τα γεγονότα κρίνονται μεν, αλλά περισσότερο συμφωνούνται και κανένας, μήτε αναγνώστης μήτε θεατής, δεν έχει διάθεση να αναλύσει υπό γενικότητα.
Ο συγγραφέας που επινόησε την παρούσα αφήγηση, παρ' ότι ασχολείται με το συγκεκριμένο είδος επί αρκετές δεκαετίες, απουσιάζει επίτηδες από το θαύμα και την αθλιότητα της διαδρομής - και νομίζω πως συμμετείχε σε αμφότερα με απλοχεριά..." Π. Θ.
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[seo_url] => θεσσαλονικη,-διηγηση-ενος-αιωνα-378805
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[isbn] => 978-960-8097-95-7
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[title] => Επαγγέλματα που άντεξαν στο χρόνο
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[summary] => Ο συγγραφέας περιγράφοντας με παραφορά χαρακτηριστικά δείγματα του γυναικείου κόσμου, που έτυχε να ανταμώσει, δεν μπορεί να κρύψει κάποιον τρόμο, τώρα που διαβάζει το κείμενο εξαρχής και αναλογίζεται από τι ακριβώς γλίτωσε. Στόχος του είναι ο άοπλος σαρκασμός, ένα είδος λογοθεραπείας στο οποίο είναι πράγματι καλός. Ενίοτε η επιχείρηση του ξεφεύγει από τα χέρια, ιδίως όταν "εκείνη" είναι δίκαιη και λυπημένη, οπότε κλαίει μαζί με τις ηρωίδες του. Όπως σημειώνει χαρακτηριστικά "δεν ήθελαν εμένα, αλλά την διαχείριση του εμένα μου".
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[title] => Γη της Μακεδονίας
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[notes] => Εμπλουτισμένη έκδοση της προηγούμενης: "Τοπίο", 1992.
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[seo_url] => γη-της-μακεδονιας-343137
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[title] => The Land of Macedonia
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[title] => Οι τέσσερις εποχές στην Ελλάδα
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[seo_url] => οι-τεσσερις-εποχες-στην-ελλαδα-342975
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[notes] => Εμπλουτισμένη έκδοση της προηγούμενης: "Τοπίο", 1999.
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[title] => Πάσχα στην Κέρκυρα
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[summary] => Ξεφυλλίζοντας ο αναγνώστης το λεύκωμα θα γνωρίσει το ονομαστό Πάσχα στην Κέρκυρα. Από την Κυριακή των Βαΐων, μέχρι την Κυριακή του Πάσχα και την Λαμπροβδομάδα. Λιτανείες, περιφορές Επιταφίων, φιλαρμονικές, ακολουθίες στους ναούς, αναστάσιμες λειτουργίες, τοπικά έθιμα στην πόλη της Κέρκυρας αλλά και στην ύπαιθρο. Το κερκυραϊκό δρώμενο της Μεγάλης Εβδομάδας και της Λαμπρής μπορεί να εκτυλιχθεί μόνο στην Κέρκυρα, όπως και η Κέρκυρα δεν μπορεί να εκφράσει το παράξενο αίσθημα της χαρμολύπης μέσα από ένα άλλο τελετουργικό...
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[seo_url] => πασχα-στην-κερκυρα-324177
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[title] => Επαγγέλματα που άντεξαν στο χρόνο
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[summary] => Το πρωτότυπο αυτό βιβλίο περιλαμβάνει κείμενα του συγγραφέα Πάνου Θεοδωρίδη, συνεντεύξεις και καλλιτεχνικές φωτογραφίες του Δημήτρη Ταλιάνη από 40 επαγγελματίες-τεχνίτες με μεράκι ρίχνοντας το φακό σε 31 παλιά παραδοσιακά επαγγέλματα που εξακολουθούν να υπάρχουν.
Η νέα έκδοση παρουσιάζει επαγγέλματα που άντεξαν στο χρόνο όπως συμφωνεί και ο τίτλος της. Πρόκειται για μια περιήγηση-περιγραφή μέσα από ζωντανές εικόνες και κείμενα γεμάτα ποίηση, στον μαγικό κόσμο της δημιουργικής δουλειάς που διαρκεί ολάκερους αιώνες από ανθρώπους που εξακολουθούν να φτιάχνουν αντικείμενα με τα χέρια τους με μεράκι κι αγάπη για την παράδοση, αψηφώντας τις ευκολίες της τεχνολογίας. Οι φωτογραφίες είναι του Δημήτρη Ταλιάνη και τα κείμενα του Πάνου Θεοδωρίδη.
Επαγγέλματα παλιά που υπάρχουν και σήμερα, ξεπηδούν μέσα από τις σελίδες του καλαίσθητου τόμου, αντικατοπτρίζοντας μια Ελλάδα αισιόδοξη, φωτεινή, μια Ελλάδα που σέβεται την παράδοση και την τέχνη της και δημιουργεί με τη γνώση και την πείρα που μεταδίδεται από τους ηλικιωμένους στους νεώτερους, με τη γνήσια αγάπη του μάστορα και τεχνίτη που μεταλαμπαδεύεται ολοζώντανη από τον γονιό στο παιδί και μας παραπέμπει σε φωτεινά παραδείγματα επαγγελματισμού που αντέχουν στο χρόνο μέσα από προσωπικό μόχθο κι όχι μέσα από την απρόσωπη μέγγενη των μηχανολογικής εξέλιξης.
Ξεφυλλίζοντας το λεύκωμα ο αναγνώστης συναντά ανθρώπους που υπηρετούν πιστά την παράδοση, αφουγκράζεται το πάθος τους και μαθαίνει τα μυστικά της τέχνης τους σαν να συνομιλεί μαζί τους, με τον καμπανά, τον κουδουνά, τον χαλκουργό, τον καραβομαραγκό, την υφάντρα, τον οργανοποιό, τον αγγειοπλάστη, τον καροποιό, τον κεραμίστα, τον βαρελοποιό, τον βυρσοδέψη, τον καρεκλοποιό, τον τσαγκάρη, τον σαπωνοποιό, τον μυλωνά, τον μαχαιροποιό, τον λαμαρινά, τον σαγματοποιό, τον κουκλοποιό, τον καλαθοπλέκτη, τον οινοποιό, τον ποτοποιό, τον σαρωθροποιό, τον γανωτή κ.ά.
Γίνεται κοινωνός του αγώνα και της ζωής ανθρώπων- φορέων της ελληνικής παράδοσης που παλεύουν για το μεροκάματο με ζήλο, ποιοτικές προδιαγραφές κι αξίες, ενώνοντας το χθες με το σήμερα. Γνωρίζει μάστορες που κάνουν πολλές δουλειές μαζί για να πετύχουν το καλύτερο αποτέλεσμα, σωστούς επαγγελματίες που μαρτυρούν το νόημα της αληθινής προόδου του Έλληνα μέσα από το σεβασμό της ιστορίας και του πολιτισμού του τόπου μας.
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[title] => Πάτρα, το πρόσωπο της πόλης
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[summary] => [...] Η έκδοση αυτή, που ξεκίνησε από μια ιδέα του Πέτρου Συναδινού, ανιχνεύει το πρόσωπο της πόλης μέσα από ένα φωτογραφικό οδοιπορικό μελετημένο με προσοχή, που πηγάζει μέσα από τα κτήρια, τους δρόμους και τις πλατείες, τα επαγγέλματα και τη ζωή των πολιτών μέρα και νύχτα. Το ίδιο πρόσωπο αποκαλύπτεται μέσα από κείμενα ξεχωριστών ανθρώπων, που φωτίζουν από πολλές πλευρές, με εύστοχο τρόπο, συχνά αυτοβιογραφικό, πρόσωπα, γεγονότα και πράξεις, που διατρέχουν τον πολιτισμό, την εκπαίδευση, την ιστορία, την αρχιτεκτονική, την πολεοδομία, την οικονομία και την κοινωνία ως περιβάλλοντα που εμφανίζουν συνέχεια και τομές, που ερμηνεύουν χωρίς να εξηγούνται, που ερμηνεύονται χωρίς να εξηγούν. Μία προσέγγιση της πόλης που γίνεται με αγάπη, μια προσέγγιση που δεν κρύβει τα προβλήματα αλλά τα κατανοεί. [...] (από την εισαγωγή του βιβλίου)
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[summary] => [...] This publication, which started out from an idea conceived by Petros Synadinos, traces the face of the city through a carefully studied photographic itinerary derived through the buildings, the streets and the squares, the occupations and the life of the citizens, day and night. The same face is revealed in the texts of distinguished contributors, who throw light from many angles, in an apt manner which is often autobiographical, on people, events and actions which run through the culture, education, history, architecture, urban planning, economy and society as environments which show continuity and fresh starts, which interpret without being explained, which are interpreted without explaining. An approach to the city which is made with love, an approach which does not conceal the problems, but understands them. [...] (από την εισαγωγή του βιβλίου)
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[lang_code] => el
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[summary] => Δεν πήγαν λοιπόν Αιγύπτιοι στην Αμερική μήτε Βαβυλώνιοι στας Μυκήνας, ώστε να γεμίσει ο κόσμος πυραμίδες. Οι πυραμίδες πλάστηκαν μέσα στον εγκέφαλο των ανθρώπων ως σταθερότυπα προερχόμενα από κατανάλωση συγκεκριμένης ναρκωτικής ουσίας. Παντού και πάντοτε, οι κουρασμένοι σωματικά άνθρωποι, όταν πέφτουν για ύπνο, ονειρεύονται ότι πέφτουν από ύψος και ξυπνάνε έντρομοι. Κι αυτό προέρχεται εμμέσως από την επεξεργασία της τροφής μέσα στον οργανισμό. Η περίφημη, περιλάλητη, περιβόητη και κοινή αίσθηση της ενότητας του ανθρωπίνου είδους προέρχεται από την κοινή τράπεζα, από τις επιλογές της τροφής, που οφείλω να ομολογήσω, είναι θλιβερά πανομοιότυπες σε όλους τους αιώνες που διατρέχω. Ακόμη κανένας δεν επέζησε τρώγοντας λίθους εκ του όρους. Και να το δοκίμασε, πέθανε ευθύς.
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[title] => The Sacred Child
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[summary] => 1339. A dark and difficult time. Romania is rent by disputes among warring royal houses striving for ascendancy. Knights errant, blood-thirsty nobles, scheming courtiers and mysterious travelers in the night play leading parts in a bloody game of supremacy. The monk Dimitris Spartino, one of the last survivors of the patrician Spartinos family, is forced to flee when a man of royal descent slays his brother and tries to murder him as well. As ha and his retinue are trying to make their ay to Constantinople, he encounters an enigmatic creature that is worshipped as a god, the sacred child. From that moment on, fate unites them in a terrible secret.
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[summary] => Ποιητής χωρίς ποίημα, στρατηγός χωρίς στρατό, είμαι πλέον καταδικασμένος να τρέχω πίσω από το κοινό του πεζού λόγου, γνωρίζοντας την τεχνική, κυνικός και γαλήνιος. Κι όταν, παραθυρίζοντας στον υπολογιστή του κόσμου τα πεζογραφήματα, η γραμματοσειρά δείχνει στην οθόνη ότι απογειώνεται, ότι θρυμματίζεται, ότι αποκτά το ήθος της ποίησης, πρέπει να θυμάμαι ότι πρόκειται στην ουσία για μαλλιά που συνεχίζουν να μεγαλώνουν μέσα στο φέρετρο ενός νεκρού, για έναν αντικατοπτρισμό στην έρημο, για μια υπεροψία και μέθη.
Ένας δευτεροκλασάτος ποιητής, ύστερα από τριάντα εφτά χρόνια υπηρεσία, παίρνει σύνταξη από το λειτούργημα και στέλνει τη σχετική αναφορά (προσδοκώντας ίσως το μάταιο εφάπαξ) προς τον άγγελο που τον διόρισε. Η επιστολή έχει ενδιαφέρον κυρίως επειδή ο μόνος ορατός αποδέκτης είστε εσείς, αναγνώστες, και όχι βέβαια ο άγγελος που εκπαιδεύτηκε για να μην υπάρχει.
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(από τη εισαγωγή του Γιώργου Αναστασιάδη)
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ΔΟΚΙΜΑΣΤΙΚΗ ΛΕΙΤΟΥΡΓΙΑ
Αγαπητοί συνεργάτες, Η νέα ΒΙΒΛΙΟΝΕΤ τέθηκε σε εφαρμογή και για ένα μικρό χρονικό διάστημα θα ενσωματώνει προτάσεις βελτίωσης. Στη φάση αυτή, η καταγραφή των νέων εκδόσεων γίνεται με αργούς ρυθμούς, λόγω διαφόρων τροποποιήσεων. Σε σύντομο χρονικό διάστημα, οι εκδότες θα έχουν τη δυνατότητα να καταγράφουν αφ' εαυτού τις νέες κυκλοφορίες.
Συνδεθείτε για να συνεχίσετε.
Θεοδωρίδης, Πάνος
Ο Πάνος Θεοδωρίδης γεννήθηκε το 1948 στη Θεσσαλονίκη και μεγάλωσε στα Γιαννιτσά. Σπούδασε αρχιτεκτονική στη Θεσσαλονίκη και συντήρηση μνημείων στην Υόρκη. Εργάστηκε ως αρχιτέκτων ανασκαφών και ερευνητής της μεσαιωνικής τεχνολογίας σε πολλές αρχαιολογικές αποστολές, ελληνικές και ξένες. Ως αναστηλωτής του υπουργείου Πολιτισμού επί εξαετία ασχολήθηκε με πολλά μνημεία, ιδίως της Μακεδονίας. Στο ερευνητικό του έργο περιλαμβάνεται η μελέτη της ρωμαϊκής Εγνατίας Οδού, η μοναστηριακή αρχιτεκτονική, οι μεσαιωνικοί νερόμυλοι, τα αμυντήρια. Ασχολείται συστηματικά με την ιστορική και μνημειακή τοπογραφία. Στις δημοσιεύσεις και ανακοινώσεις του περιλαμβάνονται "Πίνακας τοπωνυμίων του αγιορείτικου παραγωγικού χώρου", "Συμβολή στη μελέτη της υστεροβυζαντινής κατοικίας", "Αλμυρός", "The monastic model", "Μεσογαία μεσόγειος" κ.ά. Από το 1965 εξάλλου δημοσιεύει ποίηση και πεζογραφία σε ποικίλα περιοδικά έντυπα, ιδίως της Θεσσαλονίκης. Το έργο του συγκεντρώνεται κυρίως στην πρώτη και δεύτερη περίοδο του Τράμ, στο περιοδικό Χάρτης και στο Εντευκτήριο. Έχει ασχοληθεί με ποίηση, πεζογραφία, θέατρο, σενάρια, μετάφραση, κριτική, ραδιόφωνο, αρθρογραφία, συνεργασίες με εφημερίδες και περιοδικά, καθώς και με το ιστολογείν.
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