Βιβλίο
Collective Work
Επιμέλεια: Afroditi Nikolaidou
Επιμέλεια: Dimitris Papanikolaou
Αθήνα
Νεφέλη
2022
σ. 352
Δέσιμο: Μαλακό εξώφυλλο
ISBN: 978-960-504-326-1
Γλώσσα πρωτοτύπου: ελληνικά
Τίτλος πρωτοτύπου: Χώρα, σε βλέπω
Κυκλοφορεί
Τιμή: 18.90€ Φ.Π.Α.: 6%
Motherland, I see you
The 20th century of Greek cinema
The 20th century of Greek cinema
Collective Work
Επιμέλεια: Afroditi Nikolaidou
Επιμέλεια: Dimitris Papanikolaou
Αθήνα
Νεφέλη
2022
σ. 352
Δέσιμο: Μαλακό εξώφυλλο
ISBN: 978-960-504-326-1
Γλώσσα πρωτοτύπου: ελληνικά
Τίτλος πρωτοτύπου: Χώρα, σε βλέπω
Κυκλοφορεί
Τιμή: 18.90€ Φ.Π.Α.: 6%
Περίληψη:
This book sets out to tell an alternative history of Greek cinema in thirty four “scenes”. Each chapter focuses on a date from the 20th century and uses it as an incitement for fresh critical storytelling. The contributors thus offer a novel perspective on issues that have long preoccupied Greek film history – genres, stars, audiences, festivals, studios, the important artistic and technological milestones. Yet they also broach questions that have been equally disavowed – the role of gender, sexuality and affective spectatorship, the impact of censorship, the instances of self-exoticization characteristic of a cinema of a small nation, as well as the weird connections that lie under (and often work against) the official national history.
Writers:
Βασιλόπουλος, Νίκος
Λαζαρίδου, Βασιλική
Κουρέλου, Όλγα
Αλέξανδρος Παπαγεωργίου
Βενάκη, Ηλέκτρα
Περούλης, Κώστας
This book sets out to tell an alternative history of Greek cinema in thirty four “scenes”. Each chapter focuses on a date from the 20th century and uses it as an incitement for fresh critical storytelling. The contributors thus offer a novel perspective on issues that have long preoccupied Greek film history – genres, stars, audiences, festivals, studios, the important artistic and technological milestones. Yet they also broach questions that have been equally disavowed – the role of gender, sexuality and affective spectatorship, the impact of censorship, the instances of self-exoticization characteristic of a cinema of a small nation, as well as the weird connections that lie under (and often work against) the official national history.
Writers:
Βασιλόπουλος, Νίκος
Λαζαρίδου, Βασιλική
Κουρέλου, Όλγα
Αλέξανδρος Παπαγεωργίου
Βενάκη, Ηλέκτρα
Περούλης, Κώστας
Θέματα: